Jennifer Bonner
May
16
5:30 PM17:30

Jennifer Bonner

Jennifer Bonner

Work at the Mall: Candy, Sandwiches, & Hats

Jennifer Bonner founded MALL in 2009, a creative practice that stands for Mass Architectural Loopty Loops. Or Miniature Angles & Little Lines. Or Maximum Arches with Limited Liability—an acronym with built-in flexibility! MALL is committed to projects that hack typologies, take creative risks, reference popular culture, and invent representation.

Jennifer will present a range of projects that use candy, sandwiches, and hats as the conceptual starting points for her architecture. Presenting her ground-breaking project, Haus Gables, a single-family house in Atlanta, Georgia (2018) and Blank House currently underway in Portland, Oregon, Jennifer will share her research and innovative thinking on cross laminated timber (CLT) construction. She will make an argument for how CLT might become more playful, graphic, and dynamic as an architectural material within the discipline.

More About Jennifer

Jennifer Bonner is an architect and designer that has carved a remarkable career at the vanguard of contemporary architecture. As the founder of MALL (Mass Architectural Loopty Loops), her work defies convention, embracing an unapologetically innovative and playful approach.

Educated at both Auburn University and Harvard University's Graduate School of Design, Bonner's formative years laid the foundation for her trailblazing journey. With a diverse background in art, architecture, and academia, she seamlessly weaves together a tapestry of influences in her design practice.

Bonner's architectural language fuses geometric complexities and vibrant colors, while embracing innovative building technologies. Her projects challenge preconceived notions, inviting viewers to engage with space in novel ways. From playful DADUs to the imaginative "Haus Gables" residence, each creation is an exuberant celebration of form and function.

Beyond her innovative designs, Bonner's dedication to education is notable. As a former esteemed educator at Harvard University's Graduate School of Design, she passionately has imparted her knowledge and nurturec emerging talents in the field for over a decade.

Bonner's work has earned her numerous accolades, catapulting her to the forefront of contemporary architecture. Her projects have been featured in prestigious exhibitions and publications, sparking conversations about the future of architecture and the possibilities that are embedded in the very matter of building.

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Michael Bierut
Sep
26
5:30 PM17:30

Michael Bierut

Michael Bierut & Jonny Sikov

With an illustrious career spanning over three decades, Michael Bierut stands as an exemplar in the realm of graphic design. A distinguished alumnus of the University of Cincinnati’s College of Design, Architecture, Art, and Planning, Michael graduated with highest honors in 1980. He sharpened his design acumen for a decade at Vignelli Associates before taking a pivotal role as a partner at Pentagram in 1990.

Throughout his tenure at Pentagram, Michael has collaborated with an enviable roster of clients, including renowned names like The New York Times, Saks Fifth Avenue, MIT Media Lab, Mastercard, and the New York Jets (not to mention Seattle's very own Space.City), to name a few. He notably championed Hillary Clinton’s 2016 presidential campaign, creating the iconic 'H' logo that became synonymous with her campaign.

The great thing about graphic design is that it is almost always about something else.
— Michael Bierut, Seventy-nine Short Essays on Design

Leading from the front, Michael helmed the New York Chapter of AIGA from 1988 to 1990 and later wore the mantle of president emeritus for AIGA National. His contributions to the design community have garnered significant accolades, including his induction into the Art Directors Club Hall of Fame in 2003 and the prestigious AIGA Medal in 2006. Further testament to his influence, Michael was recognized as the Design Mind at the 2008 Cooper-Hewitt National Design Awards and later served as the Henry Wolf Resident in Graphic Design at the American Academy in Rome in 2016.

Beyond his practice, Michael passionately imparts his wisdom as a senior critic at the Yale School of Art and lectures at the Yale School of Management. Co-founding the influential website, Design Observer, he also co-edited the critically acclaimed series, 'Looking Closer: Critical Writings on Graphic Design'. Michael’s insights shine through in his published works, notably "79 Short Essays on Design" and the transformative, "How to use graphic design to...change the world". His latest compilation, "Now You See It", debuted in 2017, adding another feather to his cap.

Design by Michael Bierut & Jonny Sikov - Pentagram

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Daniel Inocente
Nov
14
5:30 PM17:30

Daniel Inocente

Daniel Inocente

Daniel Inocente is an Architect and Professor of Architecture at Arizona State University. He approaches every project through a creative process that combines building science, design principles and technology. His experience includes working on projects across multiple sectors, including commercial, transportation, aviation, government, culture, science, education, and residential. Daniel previously worked for Gehry Partners, HKS, and SOM. Projects he has worked on include the Jiuzhou Bay Zhuhai Tower, Guiyang World Trade Center, Guggenheim in Abu Dhabi and Tour Charenton in Paris among other projects. Daniel has also worked with the aerospace industry, helping build and lead space sector partnerships with government, academia and commercial partners. Daniel is driven by a wide range of interdisciplinary experience and integrates diverse ideas, leveraging his combined knowledge of architecture, technology and design.

As a Professor at ASU, Daniel teaches master studios and technology courses primarily focused on urbanism, high density and sustainable design. He researches innovative computational design processes, building technologies and construction methods that lead to high performance architecture. Daniel has also given lectures at MIT, John Hopkins, IAAC, Politecnico Di Milano and other universities.

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Kwong Von Glinow
Feb
27
5:30 PM17:30

Kwong Von Glinow

Kwong Von Glinow

Tickets available soon

Kwong Von Glinow, an emerging architectural firm, is swiftly making its mark with a fresh and pragmatic approach to design. Based in Chicago, the office, led by Lap Chi Kwong and Alison Von Glinow, brings a unique perspective to the contemporary architectural scene. Their approach melds innovative ideas with a deep respect for the urban context, resulting in designs that are both striking and seamlessly integrated into their surroundings.

The firm’s portfolio, though varied, consistently showcases a keen understanding of space and form. Kwong Von Glinow is adept at creating environments that are not just visually appealing but also highly functional, catering to the specific needs and lifestyles of their clients. Each project, whether residential or public, displays an astute use of materials and a thoughtful consideration of light and space, enhancing the user experience.

What sets Kwong Von Glinow apart is their commitment to pushing the boundaries of traditional architecture. They embrace a collaborative approach, often involving clients and communities in the design process. This inclusivity results in spaces that are not only architecturally sound but also deeply connected to the people they serve.

In their Chicago office, one can see this philosophy in action. The space serves as a creative hub where ideas are nurtured and innovation thrives. It's a reflection of the firm's forward-thinking ethos—a place where architecture is not just about buildings, but about creating meaningful spaces for human interaction and connection. Kwong Von Glinow's work exemplifies a blend of creativity and practicality, positioning them as a dynamic force in the field of architecture.

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Kendall Latham
Apr
18
5:30 PM17:30

Kendall Latham

  • Seattle Public Library - Central Library (map)
  • Google Calendar ICS

Kendall Latham

If You Build It, Will They Come?

Join us on April 18th at 5:30 PM at the Seattle Public Library for a talk with Kendall Latham, Director of Retail Design at Glossier. Latham’s innovative approach to blending architecture with immersive retail experiences pushes the boundaries of how people interact with spaces. In his lecture If You Build It, Will They Come? Latham will tackle the concept of "immersive design” and familiar examples of successful experiential spaces. Truly immersive design can be found across a wide array of environments, unified by the dynamic interaction between people and place. Latham will explore the interactions between history, anthropology, and retail design, demonstrating how human behavior has shaped these spaces throughout time. From Disney World to McDonald’s, every scale of space can teach us how to design retail environments that resonate deeply with consumers. Latham aims to deepen our understanding of immersive design, positing it as a form of designed anthropology that reflects how spaces shape our cultural and personal narratives.

ABOUT KENDALL

Latham is a multidisciplinary designer who has worked on retail spaces, large civic projects, interactive installations and events, including fashion shows for legendary brands like Calvin Klein, Dior, and Raf Simons. As Director of Retail Design for Glossier, he shapes the online brand’s real-world experience. His notable projects include Glossier’s permanent retail destinations in Los Angeles, Seattle, New York, and around the world. As Latham continues to conceptualize and develop stores, he does so with a dedication to shifting the paradigm of traditional retail to new, uncharted territory. He believes in creating destinations informed by place and inspired by people; experiences that are unique to their location and community. He draws inspiration from the city itself, such as putting a life-like canyon inside the LA store and bringing the Seattle pop-up and permanent store to life with a living meadow and mushroom motif inside. Glossier stores have become travel destinations, and Latham has played a key role in these original and innovative experiences.

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Joshua Ramus
Mar
18
5:30 PM17:30

Joshua Ramus

Joshua Ramus

 

Rethinking Flexibility

Space.City is pleased to host Rethinking Flexibility, a talk by architect Joshua Ramus, the founding principal of REX – and a former Seattleite who was lead architect on the Seattle Central Library while partner of OMA New York.

Ramus will speak 5:30 PM Monday March 18, 2024** at Seattle Central Library’s Microsoft Auditorium. A reception will follow nearby at LMN’s The Shop.

Advance tickets for the talk and reception are available at EventBrite for $20.

 

More:

Joshua Ramus stands at the forefront of architectural innovation, renowned for his ability to create spaces that resonate deeply with both their users and the landscapes they inhabit. His work, including the groundbreaking 2023 Perelman Performing Arts Center at Ground Zero NYC and the 2023 Lindemann Performing Arts Center at Brown University, exemplifies a masterful blend of aesthetic beauty, functional versatility, and cultural significance. Behind these evocative designs lies a philosophy of "exquisite restraint," which is thoroughly embodied in Ramus's dedication to meticulous detailing and a thoughtful approach to what architectural purity really means.

Before the establishment of his acclaimed firm REX, Joshua Ramus was instrumental in shaping the architectural landscape through his co-founding role at OMA NY. It was here that Ramus honed his visionary approach, returning to his roots in the Puget Sound to lead the design of the iconic Seattle Central Library in his—a project that not only showcased his architectural prowess but also set a precedent for the innovative use of public space. This early success laid the groundwork for Ramus's future endeavors, driving him to explore new architectural frontiers with REX.

The 2023 Perelman Performing Arts Center, nestled at the heart of Ground Zero in New York City, stands as a beacon of resilience and artistic expression. Its dynamic, adaptable design reflects Ramus's vision of buildings that can transform to meet the evolving needs of their communities. Similarly, the Lindemann Performing Arts Center at Brown University captures the imagination with its elegant form, seamlessly integrating into the academic environment while serving as a hub for cultural exchange. Featured prominently on the cover of Architectural Record in November 2023, this project further cements Ramus's reputation as a creator of landmark institutions.

Under his leadership, REX has emerged as a think-tank of diverse talents, with Ramus remaining deeply engaged in every facet of the firm's work. His approach marries functionality with aesthetic ambition, crafting spaces that anticipate the future while addressing present demands. Ramus has been recognized for his contributions to the field with numerous accolades, including being the first American to win the prestigious Marcus Prize in 2016. His influence has been acknowledged by publications like New York Times, Architectural Digest’s AD100, and Fast Company, which have cited him among the world's most significant architects and design influencers.

Ramus has been instrumental in REX's creation of a varied portfolio that includes cultural icons and state-of-the-art workspaces, all marked by a commitment to innovative design. His work, acclaimed for its contextual acuity and user-centric perspective, often unfolds as a dialogue between simplicity and complexity. Beyond architectural practice, Ramus has shared his insights as a visiting professor at several esteemed institutions, including Yale and Harvard, and has spoken at TED and other global symposiums. His educational background is as distinguished as his professional one, with a Master of Architecture from Harvard and a Bachelor of Arts in Philosophy from Yale. Joshua's work with REX continues to shape the built environment, infusing it with a potent mix of beauty and practicality that continues to define the next wave of architectural excellence.

 
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Art Walk Talk
Dec
7
5:30 PM17:30

Art Walk Talk

 

Art Walk Talk

Entry is free, but presale tickets are available

Space.City and Seattle Department of Design are joining the first Thursday Art Walk in Pioneer Square for our Holiday Party!

Join us on December 7th at 5:30 PM to celebrate great design and the legacy of the Seattle Art Walks through a wearable collection and an exhibit about the history of Art Walks in Seattle. This event is free and open to the public, but limited early bird tickets will be available for those who want to get in on this exclusive merch collection designed by SDoD.

Exclusive Merch: Score unique Pioneer Square Art Walk-inspired gear created specifically for this event - only available December 7th!

A Look Back at Pioneer Square: Seattle Department of Design will unpack the history of the first Thursday Art Walks. Get insights, get educated, and get inspired.

Tickets: Limited early-bird tickets are available now. Get yours and guarantee a spot at this not-to-miss event.

Craft Drinks: Snag a limited-release cup as part of the SDoD merch collection. The cup gives you access to a curated selection of beer, cider, and wine.

DJ Sush will be carrying us through the night with a unique set of tracks.

Reserve now!

 

About Seattle Department of Design

Seattle Department of Design was created out of a desire to celebrate our city's visual culture, landmarks, and cultural touchstones. SDoD was founded in response to what they considered to be a lack of well-designed and thoroughly-researched Seattle merchandise. SDoD digs into Seattle's graphic history to revive and showcase elements of Seattle's cultural past and incorporates them into new, limited runs of garments and merchandise.

Few cities have what we do- designers and citizens who consider Seattle a world-class city and strive to create goods that reflect this opinion. Rather than creating art only to be viewed, SDoD creates hard goods- useful everyday objects that double as displays of civic pride.

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Perry Kulper
Nov
16
5:30 PM17:30

Perry Kulper

Surface Calculus

‘Surface Calculus’ will unpack the construction of a spatial practice through the lens of architectural representation, by framing various kinds of produced surfaces—analog, digital and composites. The talk will tickle a larger project that augments and, in some cases reroutes the 600-year-old dominance of linear perspective, the picture plane and the ‘subject’ position, or station point—and their historical, disciplinary, ethical, and operational consequences. Key partners-in-crime for the conceptualization of the work include curiosity cabinets; Robert Venturi’s pivotal book, ‘Complexity and Contradiction’; Wallace Stevens’ seminal poem ’13 Ways of Looking at a Blackbird’; Jorge Luis Borges’ fictional taxonomy, ‘Celestial Emporium of Benevolent Knowledge’; Surrealist techniques; and interests in indeterminacy, contingency and emergence. Language prompts, analogous thinking, the ‘naming problem’, tailored visualizations, and inventive programmatic thinking will populate the margins. ‘Surface Calculus’ will get under the metaphorical hood, of an approximate practice, constructed by an amateur, that leverages various forms of visualization towards spatial speculations, that aspire to enlarge the cultural imaginary and what might be possible.

After the lecture, join us for a happy hour at LMN’s The Shop, located at 723 1st Ave in downtown Seattle. Snacks will be provided, and drinks will be available for sale. Entry included with event ticket purchase.

About Perry Kulper

Perry Kulper is an architect and Professor of Architecture at the Tubman College of Architecture & Urban Planning at the University of Michigan. In a prior life he was a SCI-Arc faculty member for 17 years and held visiting teaching positions at Penn and ASU during that time. After his graduate studies at Columbia University, he worked in the offices of respected mentors Eisenman/ Robertson, Robert A.M. Stern and Venturi, Rauch and Scott Brown before moving to Los Angeles. His primary interests include: the roles and generative potential of architectural drawing; the outrageously different spatial opportunities offered by using diverse design methods in design practices; and in broadening the conceptual range by which architecture contributes to our cultural imagination. In 2013 he published Pamphlet Architecture 34, ‘Fathoming the Unfathomable: Archival Ghosts and Paradoxical Shadows’ with friend and collaborator Nat Chard. They are at work on a new book to be published by UCL Press. He was the Sir Banister Fletcher Visiting Professor at the Bartlett School of Architecture, UCL 2018-19. Recently he optimistically ventured into the digital world attempting to get a handle on ‘cut + paste’ and ‘magic wand’ operations in Photoshop—as a result he encountered one of his steeper learning curves. Even more recently he has also been snooping around under the hood of said digital realms. Fantastic beasts have also been on his mind.

I think there are multiple sights, or sites for the discipline to work on. I don’t think architecture has lost its sight, it’s just seeing other potentially interesting things at the moment
— Perry Kulper
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Dimitra Tsachrelia
Aug
17
5:30 PM17:30

Dimitra Tsachrelia

The Architectonics of Music

a salon with Space.City

The relationship between music and architecture has been a research instrument in “The Architectonics of Music” studio at Columbia University co-taught with Steven Holl, and in practice at Steven Holl Architects (SHA). It is part of a larger project to develop cross-disciplinary, inspiration-provoking work of new architectural languages. This discussion with revolve around concepts and ideas in music that have the potential to materialize in architecture, illustrated through student work and built projects by SHA such as Maggie’s Centre Barts (London, 2017) and the Daeyang Gallery and House (Seoul, 2012).

Dimitra Tsachrelia is a known for her groundbreaking designs and transformative projects while at SHA. Dimitra is a partner at Steven Holl Architects and a member on the board of directors of T-Space Rhinebeck, where the tradition of the Hudson River School is carried on by generating a contemporary multidisciplinary center for the arts, nature, and humanism.

With a diverse portfolio spanning from academic institutions to arts centers, Dimitra's work showcases her innovative spirit and commitment to pushing boundaries. She has led notable projects such as the Hudson Valley Architectural Archive and Research Library Building, The Maggie Centre Barts, the Snake Road Addition, and is currently leading the designs for the Hudson L-House and 'Z' Space.

Dimitra's influence extends beyond local projects, as she has contributed to renowned ventures like the Janacek Concert Hall competition and the Institute for Contemporary Art at Virginia Commonwealth University.

As an architect and educator, Dimitra continues to shape the future of architecture through her visionary approach and unwavering commitment to excellence.

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Cyberfeminism Index with Mindy Seu
Jun
15
6:30 PM18:30

Cyberfeminism Index with Mindy Seu

Courtesy of Index Press

Cyberfeminism Index

On June 15th at 6:30pm, Space.City will host a keynote by designer and editor Mindy Seu’s Cyberfeminism Index. The event will feature a performative reading by Seu, followed by a panel discussion.

In Cyberfeminism Index, hackers, scholars, artists, and activists of all regions, races and sexual orientations consider how humans might reconstruct themselves by way of technology. When learning about internet history, we are taught to focus on engineering, the military-industrial complex, and the grandfathers who created the architecture and protocol, but the internet is not only a network of cables, servers, and computers. It is an environment that shapes and is shaped by its inhabitants and their use.

Edited by designer, professor, and researcher Mindy Seu, it includes more than 700 short entries of radical techno-critical activism in a variety of media, including excerpts from academic articles and scholarly texts; descriptions of hackerspaces, digital rights activist groups, and bio-hacktivism; and depictions of feminist net art and new media art. Both a vital introduction for laypeople and a robust resource guide for educators, Cyberfeminism Index—an anti-canon, of sorts—celebrates the multiplicity of practices that fall under this imperfect categorization and makes visible cyberfeminism’s long-ignored origins and its expansive legacy.

Meet the Panelists:

Photo by Philip Zhou

Mindy Seu is a designer and technologist based in New York City, currently teaching as an Assistant Professor at Rutgers Mason Gross School of the Arts and Critic at Yale School of Art. Her expanded practice involves archival projects, techno-critical writing, performative lectures, and design commissions. Mindy’s ongoing Cyberfeminism Index, which gathers three decades of online activism and net art, was commissioned by Rhizome and presented at the New Museum in its online form, and its print form is a recipient of a Graham Foundation Grant.

Kemi Adeyemi is Associate Professor of Gender, Women and Sexuality Studies at the University of Washington. She is the author of Feels Right: Black Queer Women & the Politics of Partying in Chicago (Duke University Press, 2022) and co-editor of the volume Queer Nightlife(University of Michigan Press, 2021). Kemi founded and directs The Black Embodiments Studio, an arts writing incubator, public programming initiative, and publishing platform dedicated to building discourse around contemporary black art.

Anna Lauren Hoffmann is an Associate Professor with The Information School at the University of Washington, as well as a senior fellow with the Center for Applied Transgender Studies and a founding member of the UW iSchool's AfterLab, a research group dedicated to the critical and cultural study of information, data, and archives in times of crisis, upheaval, and transition. Her work has appeared in New Media & Society, Information, Communication, & Society, The Los Angeles Review of Books, and Convergence: The International Journal of Research Into New Media Technologies.  

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Marlon Blackwell
Mar
2
6:30 PM18:30

Marlon Blackwell

Marlon Blackwell, winner of the 2020 AIA Gold Medal, is a visionary architect from Arkansas who seamlessly blends architectural ideals with distinct cultural contexts, a method that has produced a uniquely diverse and distinguished body of work that spans a variety of project types. His work is a continual testament to the power of architecture to shape lives and communities, and his passion and unique perspective has shaped him into one of the most influential voices in architecture.

Marlon Blackwell is an alumnus of Auburn University (BA) and Syracuse University (MAII) and is currently the E. Fay Jones Chair in Architecture at the University of Arkansas. Blackwell is also the recipient of numerous awards, including the 2020 AIA Gold Medal, 2017 E. Fay Jones AIA Gold Medal from AIA Arkansas, The 2012 Architecture Prize from the American Academy of Arts and Letters, The Cooper-Hewitt National Design Award, as well as being the 2019 Resident Fellow of the American Academy in Rome, a National Academy of Design inductee, United States Artists Ford Fellow, and many others.

Marlon Blackwell will be presented by Javier Gomez, who Marlon is personally responsible for bringing to the United States, having invited him to teach at the University of Arkansas while co-teaching in the University of Arkansas Mexico Summer Urban Studio at the Casa Luis Barragán in Mexico City.

Peter Miller Books will be hosting a book signing with Marlon for his most recently published monograph, RADICAL PRACTICE, which documents 30 years of innovative work by Marlon and his practice.

© Timothy Hursley

© Timothy Hursley

© Timothy Hursley

Radical Practice

Marlon Blackwell will discuss his architecture and design process and will share projects from his new monograph, Radical Practice: The Work of Marlon Blackwell Architects. Both the lecture and book emphasize projects in the public and civic realm, emerging from outside the established centers of architectural culture. These projects illustrate the work of Marlon Blackwell Architects, spanning across typologies, scales, and budgets by merging the universal language of architecture and the particulars of place.

The lecture will discuss the work, its methods, and consequences. It will suggest an open-endedness to the practice’s trajectory and interest in what a “radical practice” can be in the contemporary moment. A core principle at the heart of this practice is the assertion of making buildings and places a constant, authentic focus.

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Ersela Kripa + Stephen Mueller
Feb
9
6:30 PM18:30

Ersela Kripa + Stephen Mueller

The unprecedented challenges of rapid urbanization, ecological instability, and widespread resource depletion are matched only by an exponentially increasing capacity for innovation in architectural thought and production. Emerging technologies, communications, and models of practice offer a new generation the ability to identify and transform the most pressing urban and ecological issues through design. AGENCY positions architectural design as a systemic instrumentation of material ecologies, social constituencies, political policies, and ethical thought, embracing a transformative role, and enabling new paradigms of cultural production.

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Eric Höweler
Oct
24
6:30 PM18:30

Eric Höweler

Eric Höweler (b. Cali, Colombia) is an architect with over 20 years of experience in practice and an Associate Professor at the Harvard Graduate School of Design. He is co-founder of Höweler + Yoon Architecture LLP, a design-driven architecture practice and creative studio that believes design is an instrument for imagining and implementing change – social, cultural, technological, and environmental. Recent projects at Höweler + Yoon Architecture include 212 Stuart St, MIT Museum, and Lithos Hotel. Previously, Eric served as an Associate Principal at Kohn Pedersen Fox Associates, where he was the senior designer on the 118 story ICC Tower in Hong Kong. Höweler was a Senior Designer at Diller + Scofidio where he worked on institutional and cultural projects, such as the Institute of Contemporary Art in Boston and the Juilliard School/Lincoln Center in New York.

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Reinier de Graaf
Oct
12
6:30 PM18:30

Reinier de Graaf

Chronicling the trajectory of an architect craving recognition, The Masterplan unfolds as a fictional reconstruction of an architectural dream blown to dust by bigger forces. When asked to design the capital of a young African republic, Rodrigo Tomás sees the opportunity of a lifetime. Eager to outshine his famous father he accepts, but he soon discovers that not all is what it seems…

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Steven Holl
Aug
5
4:00 PM16:00

Steven Holl

Space.City Seattle - Steven Holl from Gummi Ibsen on Vimeo.

Space.City presents Steven Holl, August 5, 2022, at the Microsoft Auditorium, Seattle Central Library.

Event photos courtesy of Kyle Keirsey, Grant Gustafson, and Callan Roemer

House at Martha’s Vineyard (1988), construction photo

courtesy of Steven Holl Architects.

additional photos courtesy of Grant Gustafson.

STEVEN HOLL

Questions of Perception

KEYNOTE LECTURE

FRIDAY, AUGUST 5TH, 2022 AT 4:00 PM

MICROSOFT AUDITORIUM | SEATTLE CENTRAL LIBRARY

Steven Holl revisits Questions of Perception, the 1994 text he co-authored with Alberto Pérez-Gómez and Juhani Pallasmaa, in which Holl explores the phenomenology of architecture through eleven “phenomenal zones”:

  • enmeshed experience

  • perspectival space

  • of color

  • of light and shadow

  • spatiality of night

  • time, duration, and perception

  • water: a phenomenal lens

  • of sound

  • detail: the haptic realm

  • proportion, scale, and perception

  • site, circumstance, and idea

Incorporating recent projects by Steven Holl Architects realized after the book’s publication, Holl recasts the “phenomenal zones” and connects new built works with these original concepts.

Steven Holl was born in 1947 in Bremerton, WA. He graduated from the University of Washington and pursued architecture studies in Rome in 1970. In 1976, he joined the Architectural Association in London and in 1977 established Steven Holl Architects in New York City. Steven Holl was named by Time Magazine as America’s Best Architect, for creating buildings that ‘satisfy the spirit as well as the eye.’ He has realized cultural, civic, academic, and residential projects in the United States and internationally. He specializes in seamlessly integrating projects into contexts with cultural and historic importance.

Steven Holl has been recognized with architectures most prestigious awards and prizes, notably the Praemium Imperiale Award for Architecture, the AIA Gold Medal, and the RIBA Jencks Award. Steven Holl is a tenured Professor at Columbia University’s Graduate School of Architecture and Planning; he has lectured and exhibited widely as well as published numerous texts.

$15 IN ADVANCE

$20 AT THE DOOR

[ SOLD OUT ]

Please stay posted for additional events to be announced soon!

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Teresa Grasseschi
Feb
28
to Mar 1

Teresa Grasseschi

Winter Celebration Mural by Teresa Grasseschi at fruitsuper

× The making of a winter celebration mural ×

A CONVERSATION WITH FRUITSUPER CO-OWNER SALLYANN CORN AND MURALIST TERESA GRASSESCHI 

Interview conducted over email by Space.City’s Julia Frost and Kate Murphy, February 2021


Sallyann (fruitsuper) and Teresa (muralist), How do you two know each other? Past collaborations?

SALLYANN CORN: We met via JOIN Design years ago. The absolute best part about Seattle is the creative community. It is small and so loving, and everyone eventually connects.

TERESA GRASSESCHI: I used to own and run a stationery business and became a part of Sallyann’s artist collective. She has always been so good at creating community and lifting other makers. I shut down my stationery business a few years ago. It became too much as my freelance career started taking off. We have remained friends throughout the twists.

 

Describe how fruitsuper’s mural series originated at the start of the pandemic, as well as the process of working with Teresa and any past artists.

SALLYANN: Our first mural was quick, scrappy, vibrant, and we thought it would be super temporary. As in, maybe up for a couple of weeks? Ha! Since our first mural in March 2020, we’ve had six. Our shop is so much more than just retail, and we’ve missed the events we were able to host in the past. This ongoing mural series has been our way of thanking and celebrating our creative community. The best part about all of our murals has been the team effort. Each artist comes with their own vision and methods and we adapt and create them together. We’ve been able to experiment with various media (giant collages, linocut posters, etc.), which makes each one unique. Teresa is a delight to work with; she brings a goofy and honest reality to all of her projects.

 

Tell us about this winter wonderland mural, and the process of creating it on the storefront?

TERESA: I knew this winter was going to be a different experience and I found myself daydreaming of the ease and joy of winters past - snow days where the neighborhood lines up to barrel down the hill in a laundry basket - fun for the sake of fun. It became my stipulation for the piece, the purity of fun. If the scene didn’t make me grin, I tossed it. The skating rink became my favorite pretty fast. There are hilarity and tenderness to skating that are so pure.

I always create a tight black and white sketch to scale, a color profile, and an execution plan for a mural before I start painting. Most of the work is actually front end, that way I can focus solely on speed and accuracy when I am on site. Transfer and painting took about a week. I set the bar high for myself with complexity and color saturation, but all of it was worth it. I love that piece, it is a small slice of joy and I hope it brings everyone comfort.

 

How would you describe the role of public art this past year and entering 2021?

SALLYANN: Watching the murals go up throughout the various neighborhoods of Seattle starting in March-April 2020 was incredible. At times heartbreaking and scary but also showcasing the vibrancy and grit that our creative community has to offer. Now, more than ever, public art is the best way to bring us all together during our collective seclusion. Our galleries have been brought outside for all to enjoy.

TERESA: I think in large respect, this past year has cemented the importance of artists in Seattle’s public spaces. Artists have collectively had a rough go of the pandemic. Even though art jobs are the first to be considered unnecessary and chopped, we always show up in force for the emotional wellbeing of our communities. We are quick to create free resources for protests/mutual aid groups, coloring sheets for kids stuck at home, mini outdoor galleries for people to enjoy on walks, hold online concerts and create merch to save music venues, and of course, paint giant murals to make you feel less alone in an empty boarded up landscape. We are essential. It is my hope as the world gets vaccinated and things finally inch closer to normal that this year’s knowledge isn’t forgotten and new opportunities become extended. I would love to see Seattle fund more public mural pieces, maybe join the larger arts culture of creating a recurring public mural festival.

A mural's life is sustained by its community. The first mural I ever did was for Molly Moon’s Wallingford location. It is a little guy in the alleyway. Whenever I’ve stopped in for ice cream since they always gush about how beloved it is to people. When your work becomes an addition to a community’s identity, you’ve really done your job upright. I grew up in Ballard, and our local video store, Rain City video, had this mural on the side, a silhouette of a 50's family watching tv, and above it a banner of text that read ‘never a cloudy day’. It became a real symbol of home for me. Since the business shut down last year, I’ve actively avoided that street- I don’t ever want to find out if the mural got painted over. It lives rent-free in my brain’s definition of home forever.

What is it like changing scales from smaller print works to larger public murals? Describe how the temporary nature of this work affects your art?

TERESA: When I make small-scale work, I focus solely on my vision, which makes the work feel personal and precious. When I work on a mural piece, the approach is the exact opposite. In making mural work, I am actively working for harmony in the overall design. If a mural does not consider location and accompanying design, it fails. I would love to work closely with more interior designers on pieces for community-driven spaces. Over the years, I have learned to let go of my attachment to my mural work after I complete it. Any good design work will grow past you. You have to let go for others to experience it on their terms. Once I leave a mural on the last install day, I say my goodbyes to my own experience with it and push it off to live its own life.

 

It has been a very difficult time for small businesses, but fruitsuper has maintained a lively presence — what other ways have you innovated this past year / how has it changed you now and in the future?

SALLYANN: Wow, thank you! Our community is everything to us — you’re the reason we’re here! Since day one, we have celebrated the individual creatives, dreamers, makers, and doers. And though we can’t be together, we can still be creative together. We’re still collectively feeling loneliness, loss, and striving to reconnect to our creative selves. We try to be open and honest about what we’re personally going through, knowing we are not alone in our experiences. We’ll be dedicating the first few months of the year to reading, refueling, and stocking up on books to feed your creative souls. We’ll continue to be as active as possible within the constraints of separation and safety. Knowing that we all need to stay and feel connected!

 

What public artists do you admire or draw inspiration from?

TERESA: I know it sounds silly, but in recent years I have tried quite hard not to admire other artists. in the past, that practice led me to other myself from the art world. I now try hard to see all artists’ work through the lens of ‘what is undeniably human about this person’ and their work as an answer to that. I have gained a lot from that practice. As far as personal inspiration, I pull from a lot of childhood memories, Mary Blair’s work formed my base ideas of color and the power of lighting. I learned how to draw from obsessing over Joy Roger’s book ‘Giants Come in Different Sizes’ and all things Tomie de Paola. I was really fascinated with Picasso as a kid and when reading was hard for me, I assigned “Picasso shapes” to letters and memorized words through pictures. I think all of that is in my work now in some way.

SALLYANN: Isamu Noguchi, forever and always. Donald Judd, Henry Moore, Beverly Pepper, Louise Bourgeois, Carmen Herrera, George Tsutakawa, Richard Serra.

 

What is your favorite space in Seattle (art, architecture, urbanism)?

TERESA: The Ballard Locks. They have a history and a regular functionality that is intermixed with this small little park connecting two neighborhoods. It’s a super interesting blend of nature, city, and community that I think is deeply underrated, even though it is consistently covered in goose poop.

SALLYANN: The brick plaza surrounding the Federal Building on 2nd Ave downtown is my absolute favorite. I’ve walked through these corners countless times, and each time it’s a different experience. Different lighting, different weather conditions, shadows, limitless paths to choose from.


fruitsuper shop is located at 524 1st Ave S in Seattle’s Pioneer Square neighborhood

www.fruitsuper.com

www.teresagrasseschi.com

Photos courtesy of fruitsuper, Teresa Grasseschi, and Ana Barots.

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Wolff Architects
Sep
23
6:30 PM18:30

Wolff Architects

Following their contribution to this year’s Chicago Architecture Biennial titled “…and other such stories,” in which four distinct themes revolve around the question of how architecture relates to land, memory, rights and civic participation, Wolff Architects talk in Seattle will focus on Architecture of Consequence.

‘The work of Wolff Architects is rooted in developing an attitude around spatial practice that is broad and non-hegemonic. We work towards developing an architecture of consequence. The talk will present some ideas coming out of the work of our studio that illustrates some of these attitudes including: restorative justice, embedded research and of course, juicy design aesthetics. In other words, our creative output considers the past in terms of how to act restoratively and imaginatively when making interventions into the present.’

Wolff is a design studio concerned with developing an architectural practice of consequence through the mediums of design, advocacy, research and documentation. The Wolff team is led by Ilze & Heinrich Wolff, who work collaboratively with a group of highly skilled, committed, and engaged architects, creative practitioners and administrators. Heinrich Wolff is an architect and project manager with over 20 years’ experience. His work has received many awards including the Daimler Chrysler Award for Architecture (2007), the Lubetkin Award (2005), and in 2011 he was elected as the Designer of the Future by the Wouter Mikmak Foundation. He has held several academic appointments; he has been a visiting professor at the ETH in Zürich (2014 - 2015), IUAV in Venice (2013), Washington University in St. Louis (2015) and has been an adjunct associate professor at UCT, Cape Town. Ilze Wolff is a partner of Wolff and graduated with a B.Arch at the University of Cape Town. She received a Masters of Philosophy in Heritage and Public Culture, African Studies Unit, UCT. Ilze co-founded Open House Architecture in 2007, a transdisciplinary research practice which she continues to direct parallel to Wolff.

Both principals have taught and lectured internationally, including Switzerland, Germany, Italy, USA, Canada, Japan and India. They continue to do so. The work of the practice has also been included in various international exhibitions, including the Venice Architecture Biennale, Shenzhen Biennale of Architecture and Urbanism, Louisiana Museum of Modern Art, the Chicago Architectural Biennale, the Sao Paulo Biennale and the South American Architecture Biennale.

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Jim Chuchu
May
19
6:30 PM18:30

Jim Chuchu

Jim Chuchu:
In Conversation


PRESENTED BY MARIANE IBRAHIM GALLERY SPACE.CITY


Kenyan artist Jim Chuchu takes us on profound and dizzying journeys of psycho-spiritual time travel, spanning distant African pasts and potential Afro-futures. He remixes the popular religious experience of spiritualpossession—the penetration of the human body, at times willful, at times unbidden, by the vast invisible forces of the universe. In many communities in African and its Diaspora, spiritual presences are summoned into the body of the novice through dance, music, chanting, masking and other disciplines. The initial experience of possession, many devotees explain, is often terrifying, experienced as a kind of dreadful, incapacitating illness or sense of free-fall. Seeking healing, the possessed often join secret societies or “cults of affliction” that promise them relief from the terrors of the possessing other.

For additional information about Jim Chuchu’s work and Mariane Ibrahim Gallery  click here

For a video on some of Jim Chuchu’s work, click here. (password pagans)

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Matt Olson
May
19
11:30 AM11:30

Matt Olson

Matt Olson of OOIEE

PRESENTED BY SPACE.CITY

Matt Olson is the founder of OOIEE (Office Of Interior Establishing Exterior) a trans-disciplinary studio that works on projects related to art, design, architecture, and the landscape. Their “open practice” model is based in the belief that the world makes us as much as we make it and thus is an act of poetic surrender that gives life to something that is easy to care about.

Matt's work both as OOIEE and RO/LU, his former studio, has been shown at the Aspen Art Museum, Etage in Copenhagen, Haus der Kunst, ANNEX at M+B Gallery in Los Angeles Patrick Parrish Gallery in NYC and Volume in Chicago. The work also lives in the permanent collection at the Walker Art Center and many notable private collections. 

Matt has been a visiting artist/lecturer at SCI-Arc, Cranbrook, PNCA/OCAC MFA AC+D (Portland), SAIC (School Art Institute Chicago), SCAD (Savannah). In addition to speaking about his work and “open practice,” he also tends to speak about “love, art history as a material, skate videos, Jonas Mekas, humility, John Hughes, Sturtevant, capitalism, Black Mountain College, ego, spirituality, acceptance, and the attempt to resist "self" all as an attempt to understand awareness isn't something we do, it's what we are." 

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Lawrence Azerrad: Supersonic
May
16
6:00 PM18:00

Lawrence Azerrad: Supersonic

Supersonic

5:30 // doors

6:00 // a talk by Lawrence Azerrad // LADDesign

7:00 // Q&A between Lawrence Azerrad and Devin Liddell // moderated by Cameron Campbell

Join Lawrence Azerrad, an award winning art director, graphic designer, and author for a  lecture on what made Concorde the single most important piece of design in our recent history, and how it can serve as a window into human creativity, optimism, and the spirit of progress, as expressed through design.

Lawrence Azerrad is an award-winning art director, graphic designer, and author based in Los Angeles. Prior to opening LADdesign, he was an art director at Warner Bros Records and created packaging and artwork for artists including Miles Davis and The Red Hot Chili Peppers.

In 2017, he won a Grammy for his work as the producer and creative director for The Voyager Golden Record 40th Anniversary Edition. The record embodies a sense of possibility and hope, and serves as a reminder of what we can achieve when we’re at our best—and that our future really is up to all of us.

 Pursuing his love of design in all forms, Azerrad’s first book, Supersonic: The Design and Lifestyle of Concorde, was released by Prestel in September 2018. It is available just about everywhere books are sold.

Devin Liddell, Principal Futurist, TEAGUE
Devin is a futurist who works collaboratively with clients such as Boeing, Intel, JW Marriott, Nike, Starbucks, and Toyota to design preferred futures in aviation, automotive, smart cities, personal mobility, space travel, and more. Devin also leads TEAGUE"s future-focused conceptual projects. Most recently, these have included: Poppi, a vision for an airline of the future, and Hannah, a proposal for the future of autonomous school transportation. With nearly two decades of experience in strategy and design, Devin has worked across a broad spectrum of industries: aerospace, education, software/technology, food and beverage, and retail; some of his past clients include Amazon, GE, Microsoft, Nordstrom, and Viacom. He’s a frequent contributor to Fast Company, a board member at Aerial Futures, and teaches regularly at the School of Visual Concepts in Seattle.

 

Cameron Campbell
Principal Design Strategist, Amazon
Advisory Board Member, Space.City

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2019 SIFF Films
Jan
1
to Dec 31

2019 SIFF Films

Photo courtesy of Ultan Guilfoyle

SPACE.CITY PRESENTS THE SEATTLE PREMIERE OF THREE NEW FILMS ABOUT ARCHITECTURE: FRANK GEHRY; BUILDING JUSTICE AND TWO SHORTS.

The film, Frank Gehry: Building Justice examines both the criminal justice system and the issue of prison design through the students' point of view, as they look into the future of American incarceration policy.

Frank recognized that he was was never going to be commissioned to design an actual prison. Instead, he and Soros decided to get the dialogue started by running a master's classes the Southern California Institue of Architecture and the Yale School of Architecture with the students tackling the difficult and complex social, political and aesthetic issues behind incarceration and prison design.

In the film, Frank Gehry, with faculty from Yale and SCI-Arc, and the students themselves, explore the issues with Susan Burton, who, before becoming the leading advocate for prison reform was herself incarcerated over the course of two decades.

Also in the film are James Forman, Professor of Law at Yale Law School; architects Tod Williams and Billie Tsien; architect Greg Lynn; poet, writer, and Yale law lecturer Dwayne Betts; Chris Stone, former president of the Open Society Foundations; and Leonard Noisette, president of the Open Society Foundations' Justice Program.                               

USA | 2018 | 70 minutes | Ultan Guilfoyle

The shorts are: Francis Kéré: An Architect Between and ChildSafe: Designed to Heal

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Estudio Teddy Cruz + Fonna Forman
Oct
17
6:30 PM18:30

Estudio Teddy Cruz + Fonna Forman

Cruz and Forman are principals in Estudio Teddy Cruz + Fonna Forman, a research-based political and architectural practice with a special emphasis on Latin American cities. Blurring conventional boundaries between theory and practice, their work crosses the fields of architecture and urbanism, political theory and urban policy, visual arts, and public culture. Their firm has been recognized as a prominent voice for socially-oriented design and has been working with the public in the San Diego / Tijuana border region to create community spaces for arts and educational programming.

Their firm was chosen as one of seven featured design teams at the U.S. pavilion at this year’s Venice Architecture Biennale. They examine the American / Mexican border as a boundaryless environmental area by “challenging the idea that the edge of a nation demands a wall.” Their work uses watersheds, indigenous lands, ecological corridors, and migratory patterns to argue that the border represents an area of commonality and cooperative opportunity rather than political division. 

Cruz has said, "The future of our cities depends less on buildings and more on the reorganization of socio-economic relations." Space.City is excited to welcome them to Seattle.

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Maurice Cox
Aug
6
5:30 PM17:30

Maurice Cox

Director of Planning, City of Detroit

Maurice Cox is the Director of Planning and Development for the City of Detroit, as well as a nationally acclaimed leader of the public interest design movement. In his current role, Cox is positioning design as a tool to re-imagine post-bankruptcy Detroit as a laboratory for urban regeneration. His commitment to integrating citizen participation into the visioning and design process has led to vibrant plans that become tools for civic discourse and empowerment.

Cox will present a portfolio of City-commissioned work in landscape architecture, housing, and public space that is shaping Detroit's image as the ultimate comeback city.

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Umberto Napolitano
Apr
11
6:30 PM18:30

Umberto Napolitano

Umberto Napolitano: Founding Director
of LAN ( Local Architecture Network)

 

PRESENTED BY SPACE.CITY

 

LAN (Local Architecture Network) was created by Benoit Jallon and Umberto Napolitano in 2002, with the idea of exploring architecture as an area of activity at the intersection of several disciplines. This attitude has developed into a methodology enabling LAN to explore new territories and forge a vision encompassing social, urban, ecological, functional and aesthetic and economic questions. The firm’s projects give shape to this universe at different scales and through very diverse programs. LAN is in charge of the redevelopment of the Grand Palais in Paris, the construction of the Maillon Theater in Strasbourg, the development and coordination of new neighborhoods in Bordeaux and Nantes and the construction of one of the highest wooden Buildings in France. With the belief that practice must be nurtured through research and theory, the firm is an active participant in debates around architecture. Umberto Napolitano was admitted to the French Academy of Architecture in 2016 and teaches at Columbia University’s Graduate School of Architecture, Planning, and Preservation (GSAPP) in New York. He is a regular speaker at conferences in Europe, the United States and Asia. In 2016, LAN represented France at the 15th edition of the Venice Bienniale of Architecture and the following year was scientific curator of the Paris Haussmann, a Model’s Relevance exhibition. The firm’s has received many prizes and awards both in France and internationally.

 Umberto Napolitano was born in Naples on 27 November 1975. After initially studying literature, he began to study architecture at the Università Federico II in Naples and then at the Ecole d’Architecture de Paris-La Villette. A firm believer from the outset in the importance of acquiring hands-on experience alongside one’s academic study, Umberto worked in a number of firms of different sizes, methods, and ambitions. This is when he met and became friends with Benoit Jallon, with whom he began working together on projects.  He and Benoit both earned their official French architecture degree (or “DPLG”) in 2001. Their thesis focused on changes in habitat and proposed a new narrative centered on cities, or perhaps on one sole, large city, especially one made up of both men and women. Their diploma thesis probably represented the point at which Umberto and Benoit knew that they would set up their own firm. After spending a year in Rome, they returned to Paris in 2002 and founded LAN. Since then, Umberto has given himself wholeheartedly to the firm while also maintaining extensive teaching, writing, and lecturing engagements. Curious and creative by nature, he is inspired by many things: the visual arts, esthetics, literature, and music are all longstanding interests, while cities and travel remain veritable obsessions. All these concerns have conspired to internationalize his personal and professional trajectory, and enabled him to open himself to other cultures and ways of seeing, thinking and doing. 

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Chris Reed
Dec
12
6:30 PM18:30

Chris Reed

Chris Reed: Founding Director of Stoss Landscape Urbanism

PRESENTED BY SPACE.CITY

 

Space.city presents Chris Reed, Founding Director of Stoss Landscape Urbanism. He is recognized internationally as a leading voice in the transformation of landscapes and cities. His work collectively includes urban revitalization initiatives, climate resilience efforts, adaptations of infrastructure and former industrial sites, and the design of vibrant public spaces that cultivate a diversity of social uses and cultural traditions. 


Reed is the co-editor of Projective Ecologies, a recipient of the 2012 Cooper-Hewitt National Design Award in Landscape Architecture, a Fellow of the American Society of Landscape Architects, and the 2017 winner of the Rome Prize. He is currently Co-Director of the Master of Landscape Architecture in Urban Design Program at the Harvard University Graduate School of Design.

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Eero Saarinen at SIFF
Nov
27
7:00 PM19:00

Eero Saarinen at SIFF

Eero Saarinen:
The Architect Who Saw the Future

Eero Saarinen: The Architect Who Saw the Future examines the life of an architectural giant who envisioned the future. His sudden untimely death at age 51 cut short what continues to be one of the most influential legacies in American architecture and continues to inspire architects today.

 

SHOWTIMES

SIFF Film Center

Eero Saarinen’s visionary buildings include National Historic Landmarks such as St. Louis’ iconic Gateway Arch and the General Motors Technical Center in Michigan. Saarinen also designed New York’s TWA Flight Center at JFK International Airport, Yale University’s Ingalls Rink and Morse and Stiles Colleges, Virginia’s Dulles Airport, and modernist pedestal furniture like the Tulip chair. Travel with his son, Eric Saarinen, as he visits the sites of his father’s work on a cathartic journey that showcases the architect’s body of timeless work for the first time. Today, Saarinen’s work stands apart and continues to inspire.

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Signe Nielsen
Oct
5
6:30 PM18:30

Signe Nielsen

Signe Nielsen: 
Current work

Signe Nielsen has been practicing as a landscape architect and urban designer in New York since 1978. Her body of work has renewed the environmental integrity and transformed the quality of spaces for those who live, work and play in the urban realm.  A Fellow of the ASLA, she is the recipient of over 100 national and local design awards for public open space projects and is published extensively in national and international publications. Ms Nielsen is a Professor of Urban Design and Landscape Architecture at Pratt Institute in both the Graduate and Undergraduate Schools of Architecture and currently serves as President for the Public Design Commission of the City of New York.  Born in Paris, Ms. Nielsen holds degrees in Urban Planning from Smith College; in Landscape Architecture from City College of New York; and in and in Construction Management from Pratt Institute.

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Wendell Burnette
Jul
17
6:30 PM18:30

Wendell Burnette

 

Wendell Burnette:
Dialogues in Space

 

Wendell Burnette is a self-taught architect with an internationally recognized body of work. His architectural practice based in Phoenix and is engaged in a wide range of private and public projects. Burnette’s work is concerned with space, light, context and community. He is a native of Nashville who discovered the southwest desert as an apprentice at Frank Lloyd Wright’s Taliesin West. His eleven year association with the studio of Will Bruder culminated in six-year design collaboration on the Phoenix Central Library. He teaches and lectures widely in the United States and abroad. His projects include residences located locally and nationally, the Palo Verde Library / Maryvale Community Center and the much acclaimed Amangiri Resort in southern Utah, as well as current work in China, Canada, Israel, Saudi Arabia and the UAE. The work of Wendell Burnette has been published in more than 200 publications worldwide and has earned numerous distinctions for Design Excellence, including a 1990 Young Architects Award from PA magazine, a 1999 “Emerging Voices Award” from the Architectural League of New York, three “Record House” awards from Architectural Record magazine, over 10 AIA Arizona and AIA Western Mountain Region design awards, as well as one National AIA award and one National AIA / ALA Design Award for the Palo Verde Library / Maryvale Community Center. In 2009, Burnette received the Academy Award in Architecture from the American Academy of Arts and Letters in New York City recognizing an American Architect whose work is characterized by a strong personal direction, which was accompanied by an exhibition at the Academy in the same year. Most recently, his first full-length monograph Dialogues in Space by Oscar Riera Ojeda Publishers was released worldwide. His design philosophy is grounded in listening and distilling the essence of a project to create highly specific architecture that is at once functional and poetic.

“Wendell Burnette is a very American architect. His character strikes us as being somewhere between Woody Guthrie and Will Rogers. He does not come from an academic world, or one that is grounded in theory. Rather, his work is developed from the real and sometimes rude work of thinking about how to make things. That is to say that he brings honesty, a lack of pretension, and a sense of forthright directness to his work.”  -Tod Williams and Billie Tsien

New monograph: Dialogues in Space: Wendell Burnette Architects

Dialogues in Space: Process and Ideas in the work of Wendell Burnette Architects is the first multi-project monograph on this American architects selective body of work. The title alludes to the architects view that architecture is a constructed conversation between people, things and time. Six singular projects from the architects oeuvre are presented in-depth through the architects' own words, drawings and photography. Also included is a comprehensive essay by the celebrated architectural writer / critic Robert McCarter entitled Crafting Space: Composition and Construction in the Architecture of Wendell Burnette that examines the “thinking and making” process behind the built and un-built work across 15 years of practice. The different typologies of the work explores authentic human experience through provocative spatial constructions - public and private in diverse locales - that attempt to promote an expansive dialogue with our places, our environment, our communities, ourselves, and our time. Through extensive research into the ‘art of building' – the specificity of place and locally appropriate construction systems, materials, craft, and their infinite capacity to transcend mere construction, the work strives toward an architecture that is at once functional and poetic.

 
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Tristram Carfrae
Mar
9
6:30 PM18:30

Tristram Carfrae

Tristram Carfrae of Arup:
Completing Antoni Gaudí’s Sagrada Família

 
PRESENTED BY SPACE.CITY

The construction of La Sagrada Família began in 1882.  One year later, the original architect resigned and Antoni Gaudí was commissioned to redesign the Basilica.  Gaudi worked on the project for 43 years, until his death in 1926.

The lecture will concentrate on the six main towers envisioned as the highest points of the Basilica.  Construction during the 20th Century was largely carried out in conventional stone masonry, with recent work using reinforced concrete and stone facing.  However, with completion of the remaining 30% of the Basilica due in 2026, the design team have adopted a new system using pre-stressed stone panels. This marriage of new digital methods and traditional craftsmanship will dramatically reduce the weight, cost and time needed to complete the Basilica.  Tristram will describe how this new technique evolved, including initial ideas, virtual prototyping, analysis, physical testing, production and assembly.

Tristram Carfrae is Arup’s Deputy Chairman.  He has collaborated with world-renowned architects including Renzo Piano, Normal Foster, Philip Cox, Richard Rogers, and Thomas Heatherwick.  Tristam has a reputation for challenging accepted methodologies and has contributed to the design of numerous award-winning buildings, including the Water Cube for the 2008 Beijing Olympics, the Helix Bridge in Singapore, and currently, Antoni Gaudi’s Sagrada Família.

In 2014, Tristram was awarded the prestigious Gold Medal of the Institution of Structural Engineers, given to an individual for exceptional and outstanding contributions to the advancement of structural engineering.

 
 
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Mimi Hoang
Nov
3
6:30 PM18:30

Mimi Hoang

 

Mimi Hoang of nArchitects

 

Mimi Hoang is a founding principal of nArchitects and Adjunct Assistant Professor at Columbia University. The "n" represents a variable, indicating the firm's interest in designing for a variety of experiences within a systematic approach. The work ranges from buildings to pavilions to interiors, and across cultural, residential and commercial uses. Through micro-housing, animated facades and performance spaces, the firm explores new paradigms in urban living, public space and contemporary practice. nArchitects have won numerous awards and competitions and are currently designing four kiosks for Seattle's new waterfront.

Mimi Hoang was also on the jury for AIA Seattle’s 2016 Honor Awards on Monday, November 7th at Benaroya Hall.

 
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Room for Change
Sep
21
5:00 PM17:00

Room for Change

Room for Change: A Mural by Carolina Silva

 
PRESENTED BY SPACE.CITY & URBAN ARTWORKS
WITH DOWNTOWN SEATTLE ASSOCIATION &
FRIENDS OF WATERFRONT SEATTLE

 

For this year's Seattle Design Festival, Space.City and
Urban ArtWorks are collaborating with Carolina Silva to create a mural at the Pike Street Hill Climb along Western Avenue. The transformation will take place over the first week of the festival, with support from Downtown Seattle Association and Friends of Waterfront Seattle.  

A celebration honoring the transformation will be held at the mural, on September 21st, from 6 - 9 pm.  The community is invited to enjoy a live busker performance by John Strayer Music and refreshments, including libations from the Seattle Beer Company, our beer and venue sponsor. The event is free and open to the public. 


Carolina Silva's work often explores the dichotomy of inside and outside.  The wall-paper like quality of the mural suggests the idea of containment, as with a box or a room.  Multiple panels of repetitive pattern envelope the space, transforming a forgotten place- a mundane passageway- into a vibrant room.

Repetitive patterns and hand-traced flowers are recurrent elements in Silva's recent work; they represent chaos within harmony, or rather harmony within chaos. Vulnerability is a concept rarely explored in public art, but through its floral motifs and dusty pinks, the mural is both soft and iconic at the same time.  It is both quiet while focusing attention; feels intimate while being open.  The mural is a reminder that although seemingly permanent, the urban environment can be changed.  

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Toshiko Mori
Mar
28
6:30 PM18:30

Toshiko Mori

Toshiko Mori

PRESENTED BY SPACE.CITY

Toshiko Mori is the principal of Toshiko Mori Architect and teaches at Harvard Graduate School of Design.  

She is the founder of VisionArc, a think-tank promoting global dialogue for a sustainable future and one of the founders of Paracoustica, a non-profit promoting music in underserved communities.

Mori’s recent work includes the Cambridge Headquarters for the Novartis Institutes for BioMedical Research and the School of Environmental Research & Technology for Brown University.  Her firm is currently engaged in master plans for the Buffalo Botanical Gardens and the Brooklyn Public Library.  

She has also participated in international exhibitions including the 2012 and 2014 Venice Architecture Biennale.

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Juhani Pallasmaa
Nov
10
6:30 PM18:30

Juhani Pallasmaa

JUHANI PALLASMAA: 
Empathy, Design & Care

 

PRESENTED BY SPACE.CITY & AIA SEATTLE
 

Juhani Pallasmaa is an architect and professor emeritus based in Helsinki. Pallasmaa first practiced design in collaboration with other architects before practicing through his own Helsinki office from 1983-2012, and has taught and lectured in numerous universities in Europe, North and South America, Africa, Asia and Australia. 

The author of 50 published books and 400 essays, articles and prefaces, Pallasmaa's writings have been translated into 30 languages. Pallasmaa is an honorary member of SAFA, AIA and RIBA, and has received numerous Finnish and international awards and five Honorary Doctorates.

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